Toxic colours: The history of deadly pigments

The colours we encounter daily — from the white of our walls to the green of our clothing and the orange of our dinnerware — rarely invite scrutiny. But these hues, essential to human expression, have a dark past. For centuries, the pursuit of vibrant pigments often came at a deadly cost, with stories of poison, radiation, and ignorance intertwining to create some of the most fascinating (and fatal) chapters in art and industry.

RADIUM GREEN – A TOXIC CATASTROPHE

Discovered in 1898 by Marie and Pierre Curie, radium‘s radioactive glow dazzled the world. Its vibrant, luminous green was hailed as a modern marvel, finding its way into everything from toothpaste to jewellery. Advertised for its supposed health benefits, radium was even added to food and water, promising vitality to unsuspecting consumers.

But by the mid-20th century, the world learned the grim truth: radium’s radioactive properties caused devastating health effects, including cancer and radiation poisoning. The once-celebrated pigment became a chilling reminder that beauty can be lethal.

LEAD WHITE – A CLASSICAL TRAGEDY

The story of toxic colours stretches back to Ancient Greece, where lead was processed into the brilliant pigment known as lead white. Its opaque, warm tone made it indispensable to artists for centuries, from Renaissance masters like Vermeer to Impressionists of the 19th century.

However, lead is insidiously toxic. Once absorbed by the body, it disrupts calcium in the nervous system, causing damage ranging from learning disabilities to high blood pressure. Artists who handled lead paint often suffered from “painter’s colic,” now recognized as lead poisoning. Symptoms included tremors, blindness, and even death.

Despite its dangers, lead white dominated palettes for millennia. Its unmatched qualities kept it in use until the 1970s, when its production was finally banned.

GREEN – A POISONOUS ALLURE

During the 18th century, vibrant synthetic greens revolutionized fashion and design. Scheele’s Green and Paris Green, made from cupric hydrogen arsenic, were brighter and more stable than natural pigments. They quickly became ubiquitous, colouring textiles, wallpapers, toys, and even candy.

But arsenic, a key ingredient in these pigments, was a slow-acting poison. Factory workers handling these dyes often succumbed to arsenic poisoning, and wearers of green dresses sometimes collapsed from exposure. Napoleon Bonaparte’s death has even been speculated to stem from sleeping in a bedroom adorned with arsenic-laden green wallpaper.

The dangers of these greens came to light when the arsenic recipe was published in 1822. A century later, the pigment was ironically repurposed as an insecticide, cementing its deadly reputation.

RADIOACTIVE ORANGE – AN EVERYDAY HAZARD

If green’s poison wasn’t bad enough, orange brought radioactivity to the dinner table. Before World War II, manufacturers of ceramic glazes used uranium oxide to achieve brilliant orange and red hues. The resulting ceramics, including the iconic Fiestaware, emitted radiation, a fact unknown until the discovery of radioactivity in the late 19th century.

During World War II, uranium was confiscated for atomic bomb development, but the compound returned to the market in 1959. While depleted uranium reduced the risks, vintage orange dishes still test positive for radiation. The U.S. Environmental Protection Agency (EPA) warns against eating off them, proving that some artifacts of design are best left untouched.

LESSONS LEARNT ABOUT COLOUR AND CAUTION

Today, science shields us from many of the dangers lurking in the pigments of the past. Regulations on lead, arsenic, and uranium ensure that modern colours are safe for artists, consumers, and the environment.

Yet the history of toxic colours offers a cautionary tale: the pursuit of beauty and innovation, without understanding, can come at a cost. From glowing radium to arsenic greens and radioactive oranges, these pigments remind us that the vibrant world of colour has often been painted in shades of danger.

So, the next time you marvel at a striking hue, take a moment to reflect on the stories it might carry — stories of artistry, science, and the lessons learned through centuries of trial and error.

THE HISTORY AND STORY OF DEADLY PIGMENTS

Contact me at Koorsboomstories for guidance and assistance with the writing and publishing of your manuscript

Leave a Reply

Your email address will not be published. Required fields are marked *

Open chat
Hello
How can I help you?